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like no other day

The Real Thing
Sergio Mendes & the New Brasil ’77
Sergio Mendes & the New Brasil ’77, 1977

I was looking for a nice warm-weather song for this week and this one is perfect in light of the upcoming “WONDER-Full (Part VII) Annual Tribute To The Genius Stevie Wonder” party. It’s a full night of Stevie classics, Stevie covers, Stevie-penned songs, Stevie samples, and little-known Stevie tracks brought to you by Bobbito, DJ Spinna and the fine folks at KeiStar Productions.

I went two years ago and had a little bit of an out-of-body experience. Not in the literal sense but in that I heard songs that I was totally used to dancing and jamming out to in my living room and all of the sudden, I was in the middle of a couple hundred people having the same would-be private reaction. Dancing at this event wasn’t really like dancing everywhere else. There’s no “that’s a hot beat” – people were moving in synch with vocal inflections, hi-hat hesitations and harmonica bends that they knew…WELL.

I remember looking up during the last 1/3 of “Please Don’t Go” to see Bobbito dancing in the DJ booth as if he was on the main floor and had just had his mind blown by something he hadn’t heard before. Of course, he had heard the song 100 times before. At that moment the entire room (the people sitting down, the people trying to look hard, the crazy “is that a cross between modern dance and capoeira?” dancers, etc) seemed to be in the same moment.

What does Stevie have to do with Sergio Mendes in a referee uniform, you ask? As unlikely as it may seem, Stevie co-wrote “Love City” and wrote “The Real Thing” on this album. Stevie pops up in all manner of places that you might not expect. My favorite is on Minnie Riperton’s Perfect Angel album. Aside from writing two songs under his “real” name, he’s also playing drums, piano, electric piano, and harmonica, billed as “El Toro Negro” (a play on his Black Bull Music Publishing Company). The arranging credit for the whole album goes to “Wonderlove.”

“The Real Thing” has a special place in my heart because it’s the first song I played in public. The DJ that I was playing after came back by the DJ booth to give me props for my selection. I thanked him…and then stood up a little straighter and relaxed my shoulders and went on to have a really good night.

>> songs are available for two weeks [6.4 MB]

Whatup Jonesy!

7 Responses to “like no other day”

  1. michael Says:

    “The Real Thing” is pretty tight… but I am writing because somehow in my Wonderlove travels, I missed “Please Don’t Go”

    I just googled it and realized it was on FuFuFu… FuFuFu… Fuck It… You Know… The Good One! (Which I have on vinyl)

    Just dusted it off and am listening now.

    Damn!

  2. jeepbastard Says:

    This song is soo much fun. I can’t wait to pump it in the jeep.

    It’s perfect for dancing your partner as you are waiting for dinner to finish cooking.

  3. Jon Oliver » Blog Archive Says:

    [...] all comes back to the Wonderlove. Stevie crops up so many (good) places. Click on the 45 label for a larger view and check the [...]

  4. Jon Oliver » Blog Archive » stir of echoes Says:

    [...] and this perfectly dark, intense, chest-rattling track just take hold of the crowd. Similar to what I wrote about the end of “Please Don’t Go” at the Wonderfull party, this track seemed to [...]

  5. Jon Oliver » Blog Archive Says:

    [...] HUGE space in Brooklyn. I highly recommend this party (as always). You can read my previous posts (1, 2) about it if you are not already [...]

  6. Jon Oliver » Blog Archive Says:

    [...] is another record that I got from Jonesy (who finally has something I can link to). He probably has the illest record [...]

  7. Jon Oliver » Blog Archive Says:

    [...] gave the season-opening concert at Celebrate Brooklyn four or five years ago and I had a similar experience to when i first went to the Wonder-Full party; songs that seemed to only exist in my living were [...]

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